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John McNee's

Doom Cabaret

 

This is the stage. These are the players.


A young woman’s sexual appetites prove too powerful to be undone by death.


Hedonistic clubbers covet a drug that warps flesh rather than the mind.

A wealthy cannibal encounters a meal too beautiful to be eaten.


The Lullaby Man ushers another eager victim into his clockwork lair.

Here is where such stories are told.

Blood and beauty, defilement and deformity, musicians and monsters.

Welcome to the Doom Cabaret.

McNee has a fiendishly fine eye for detail and an excellent voice for storytelling.

GINGER NUTS OF HORROR

Like Brite and Barker, McNee has perfected the art of presenting taboo acts of extreme horror, violence, and gore as art. He makes the grotesque palatable by painting it with smooth curves and soft edges – acceptable in its brutality.

TATTERED AND BROKEN

It speaks to McNee’s strength as a storyteller that there isn’t a dud amongst the stories, and more people ought to be reading his work.

THIS IS HORROR

THE BOOKS
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